/script-kiddie/002_script_kiddie/script-kiddie/node_modules/ace-builds/demo/kitchen-sink/docs/abc.abc |
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%abc-2.1 |
H:This file contains some example English tunes |
% note that the comments (like this one) are to highlight usages |
% and would not normally be included in such detail |
O:England % the origin of all tunes is England |
|
X:1 % tune no 1 |
T:Dusty Miller, The % title |
T:Binny's Jig % an alternative title |
C:Trad. % traditional |
R:DH % double hornpipe |
M:3/4 % meter |
K:G % key |
B>cd BAG|FA Ac BA|B>cd BAG|DG GB AG:| |
Bdd gfg|aA Ac BA|Bdd gfa|gG GB AG:| |
BG G/2G/2G BG|FA Ac BA|BG G/2G/2G BG|DG GB AG:| |
W:Hey, the dusty miller, and his dusty coat; |
W:He will win a shilling, or he spend a groat. |
W:Dusty was the coat, dusty was the colour; |
W:Dusty was the kiss, that I got frae the miller. |
|
X:2 |
T:Old Sir Simon the King |
C:Trad. |
S:Offord MSS % from Offord manuscript |
N:see also Playford % reference note |
M:9/8 |
R:SJ % slip jig |
N:originally in C % transcription note |
K:G |
D|GFG GAG G2D|GFG GAG F2D|EFE EFE EFG|A2G F2E D2:| |
D|GAG GAB d2D|GAG GAB c2D|[1 EFE EFE EFG|[A2G] F2E D2:|\ % no line-break in score |
M:12/8 % change of meter |
[2 E2E EFE E2E EFG|\ % no line-break in score |
M:9/8 % change of meter |
A2G F2E D2|] |
|
X:3 |
T:William and Nancy |
T:New Mown Hay |
T:Legacy, The |
C:Trad. |
O:England; Gloucs; Bledington % place of origin |
B:Sussex Tune Book % can be found in these books |
B:Mally's Cotswold Morris vol.1 2 |
D:Morris On % can be heard on this record |
P:(AB)2(AC)2A % play the parts in this order |
M:6/8 |
K:G |
[P:A] D|"G"G2G GBd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:| |
[P:B] d|"G"e2d B2d|"C"gfe "G"d2d| "G"e2d B2d|"C"gfe "D7"d2c| |
"G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:| |
% changes of meter, using inline fields |
[T:Slows][M:4/4][L:1/4][P:C]"G"d2|"C"e2 "G"d2|B2 d2|"Em"gf "A7"e2|"D7"d2 "G"d2|\ |
"C"e2 "G"d2|[M:3/8][L:1/8] "G"B2 d |[M:6/8] "C"gfe "D7"d2c| |
"G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:| |
|
X:4 |
T:South Downs Jig |
R:jig |
S:Robert Harbron |
M:6/8 |
L:1/8 |
K:G |
|: d | dcA G3 | EFG AFE | DEF GAB | cde d2d | |
dcA G3 | EFG AFE | DEF GAB | cAF G2 :| |
B | Bcd e2c | d2B c2A | Bcd e2c | [M:9/8]d2B c2B A3 | |
[M:6/8]DGF E3 | cBA FED | DEF GAB |1 cAF G2 :|2 cAF G3 |] |
|
X:5 |
T:Atholl Brose |
% in this example, which reproduces Highland Bagpipe gracing, |
% the large number of grace notes mean that it is more convenient to be specific about |
% score line-breaks (using the $ symbol), rather than using code line breaks to indicate them |
I:linebreak $ |
K:D |
{gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad| |
{gcd}c<{e}A {gAGAG}A>e {ag}a>f {gef}e>d| |
{gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad| |
{g}c/d/e {g}G>{d}B {gf}gG {dc}d>B:|$ |
{g}c<e {gf}g>e {ag}a>e {gf}g>e| |
{g}c<e {gf}g>e {ag}a2 {GdG}a>d| |
{g}c<e {gf}g>e {ag}a>e {gf}g>f| |
{gef}e>d {gf}g>d {gBd}B<{e}G {dc}d>B| |
{g}c<e {gf}g>e {ag}a>e {gf}g>e| |
{g}c<e {gf}g>e {ag}a2 {GdG}ad| |
{g}c<{GdG}e {gf}ga {f}g>e {g}f>d| |
{g}e/f/g {Gdc}d>c {gBd}B<{e}G {dc}d2|] |
|
X:6 |
T:Untitled Reel |
C:Trad. |
K:D |
eg|a2ab ageg|agbg agef|g2g2 fgag|f2d2 d2:|\ |
ed|cecA B2ed|cAcA E2ed|cecA B2ed|c2A2 A2:| |
K:G |
AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:| |
|
X:7 |
T:Kitchen Girl |
C:Trad. |
K:D |
[c4a4] [B4g4]|efed c2cd|e2f2 gaba|g2e2 e2fg| |
a4 g4|efed cdef|g2d2 efed|c2A2 A4:| |
K:G |
ABcA BAGB|ABAG EDEG|A2AB c2d2|e3f edcB|ABcA BAGB| |
ABAG EGAB|cBAc BAG2|A4 A4:| |
|
%abc-2.1 |
%%pagewidth 21cm |
%%pageheight 29.7cm |
%%topspace 0.5cm |
%%topmargin 1cm |
%%botmargin 0cm |
%%leftmargin 1cm |
%%rightmargin 1cm |
%%titlespace 0cm |
%%titlefont Times-Bold 32 |
%%subtitlefont Times-Bold 24 |
%%composerfont Times 16 |
%%vocalfont Times-Roman 14 |
%%staffsep 60pt |
%%sysstaffsep 20pt |
%%musicspace 1cm |
%%vocalspace 5pt |
%%measurenb 0 |
%%barsperstaff 5 |
%%scale 0.7 |
X: 1 |
T: Canzonetta a tre voci |
C: Claudio Monteverdi (1567-1643) |
M: C |
L: 1/4 |
Q: "Andante mosso" 1/4 = 110 |
%%score [1 2 3] |
V: 1 clef=treble name="Soprano"sname="A" |
V: 2 clef=treble name="Alto" sname="T" |
V: 3 clef=bass middle=d name="Tenor" sname="B" |
%%MIDI program 1 75 % recorder |
%%MIDI program 2 75 |
%%MIDI program 3 75 |
K: Eb |
% 1 - 4 |
[V: 1] |:z4 |z4 |f2ec |_ddcc | |
w: Son que-sti~i cre-spi cri-ni~e |
w: Que-sti son gli~oc-chi che mi- |
[V: 2] |:c2BG|AAGc|(F/G/A/B/)c=A|B2AA | |
w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il vi-so e |
w: Que-sti son~gli oc-chi che mi-ran - - - - do fi-so mi- |
[V: 3] |:z4 |f2ec|_ddcf |(B/c/_d/e/)ff| |
w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il |
w: Que-sti son~gli oc-chi che mi-ran - - - - do |
% 5 - 9 |
[V: 1] cAB2 |cAAA |c3B|G2!fermata!Gz ::e4| |
w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh, |
w: ran-do fi-so, tut-to re-stai con-qui-so. |
[V: 2] AAG2 |AFFF |A3F|=E2!fermata!Ez::c4| |
w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh, |
w: ran-do fi-so tut-to re-stai con-qui-so. |
[V: 3] (ag/f/e2)|A_ddd|A3B|c2!fermata!cz ::A4| |
w: vi - - - so ond' io ti-man-go~uc-ci-so. Deh, |
w: fi - - - so tut-to re-stai con-qui-so. |
% 10 - 15 |
[V: 1] f_dec |B2c2|zAGF |\ |
w: dim-me-lo ben mi-o, che que-sto\ |
=EFG2 |1F2z2:|2F8|] % more notes |
w: sol de-si-o_. % more lyrics |
[V: 2] ABGA |G2AA|GF=EF |(GF3/2=E//D//E)|1F2z2:|2F8|] |
w: dim-me-lo ben mi-o, che que-sto sol de-si - - - - o_. |
[V: 3] _dBc>d|e2AF|=EFc_d|c4 |1F2z2:|2F8|] |
w: dim-me-lo ben mi-o, che que-sto sol de-si-o_. |